Sunday, September 9, 2012

Write Right: How to Format Dialogue Like a Pro

New Writer + Dialogue = Frustration

Nothing screams 'amateur' to a publisher like improperly formatted dialogue. And unfortunately, one of the most challenging things for a beginning writer (if I remember correctly) is how to punctuate dialogue.

You know there's quotation marks, commas, periods, and sometimes even dashes and ellipses involved, but trying to figure out what their proper places are can be confusing.

I didn't have a clue what I was doing when I first started writing dialogue. I felt a little something like this:

If this is you, I feel your pain. It took me forever to figure out how to properly use quotation marks, commas, etc. But fear not! I'm going to share with you the mysterious, elusive inner-workings of dialogue punctuation, and by the time you're done reading this you'll be a master!


How To Use Quotations


Quotation marks "  " are placed around words that a character is speaking out loud. Do not use quotation marks for characters thoughts. The punctuation mark, whether it is a period, exclamation point, or question mark, always goes inside the quotation marks. Example:

"Wait for me!" Mary shouted.
"Why aren't you coming?" he asked.
"This is stupid."
NOT: "This is stupid".

Simple, right?


The Intimidating Comma


Most often, a comma is used at the end of a character's dialogue. For some reason, figuring out what to do with this comma is intimidating to beginners. Relax! It's actually really simple. Just like other punctuation marks, the comma also stays inside the quotation marks. Like so:

"This isn't going to work," he said.
NOT: "This isn't going to work", he said.

If you put a speech tag (he said, she said, etc) after the characters words, you always use a comma at the end of the dialogue, not a period. (But you can use an exclamation or question mark instead of a comma. Just no period.)

"Well that sounds silly," he said.
NOT: "Well that sounds silly." he said.

Also acceptable: "What are you doing?" he asked.
But don't do this: "What are you doing?," he asked.

One punctuation mark is more than enough x]


 Ellipses and Dashes


An ellipse is three dots ... that can be used in dialogue to signify a character's words trailing off. A dash -- on the other hand, signifies an abrupt stop. These can be great tools to add emotion to your dialogue, but don't overuse them. Like commas and punctuation marks, they also go inside the quotation marks. Like so:

"Oh no..." he said quietly.
"This isn't going to--"

DO NOT put a comma after an ellipse or dash. It is unneccessary and looks weird. I see this sometimes in published books and it's one of my pet peeves.

NOT: "Oh no...," he said quietly.
NOT: "This isn't going to--,"


He Said, She Said

Now, what about what's outside the parentheses? The 'he said' and 'she said' as I already mention above is what is referred to as speech tags. Or who is saying what.

When using a proper noun (a character's name) at the end of a line of dialogue, it is of course capitalized. However, any improper nouns (he, she, they, it, etc.) at the end of a line of dialogue are left in lower-case. Like so:

"This is so exciting!" she said.
"I don't know what to do," he said.
"Are you confused?" she asked.

NOT: "That is so exciting!" She said.
NOT: "I don't know what to do," He said.
NOT: "Are you confused?" She asked.


In-between Lines of Dialogue

One of the most confusing things about dialogue is how to punctuate it when it is broken up. Observe:

"That is never going to work," he said, shaking his head. "You should just give up now."

When you have a speech tag (he/she said) followed by a description of action (in this case, shaking his head), you end it with a period. BUT, you could also do this:

"That is never going to work," he said, shaking his head, "you should just give up now."

Do you see the difference between the two? The first is the most commonly used, but you can use either as long as you use correct punctuation. In the first example the dialogue is two separate sentences: That is never going to work. You should just give up now. But in the second it is one sentence: That is never going to work, you should just give up now.

Comprende?


Paragraphs and Dialogue


Alright, hang in there we're almost done! Now, whenever a character is speaking, you should start a new paragraph. This character's actions, whether described before or after the dialogue, should also be in the same paragraph. Like so:

Amy picked at her nails. "So, are you going to ask him out?" she asked without looking up.
Natasha flipped her hair over the shoulder. "No way."

If you decide you need to create a paragraph within a character's dialogue, it gets a little weird. You don't close the quotations at the end of the paragraph, but you start them again in the new paragraph. Example:

"I can't believe he actually ditched me," she said. "I spent hours getting ready and doing my make-up and I had to beg my mom to let me drive her car so I could meet up with him and then he didn't even show! Who does that?
"I mean, what did I do to deserve that? I can't believe he could be so rude. I don't ever want to see him again!"

Yes, I suck at typing example dialogue >.< But do you get the point? lol.


Now That You're Sufficiently Confused...

Make sense? Yes, no, maybe so? Don't worry, dialogue becomes easier with practice, and one day it will become second nature and you won't even give it any thought at all.

Next time you're reading a book, pay close attention to how the dialogue is punctuated and formatted. How did I teach myself how to punctuate dialogue? By studying the dialogue in J.K. Rowling's Harry Potter books. No joke. Harry Potter taught me how to punctuate dialogue. Who would've known?

Hopefully you found something here helpful and I didn't make you even more confused! x]
What is your greatest challenge with punctuating dialogue?

Happy writing!

Saturday, September 8, 2012

Review: Seraphina by Rachel Hartman

Title: Seraphina
Author: Rachel Hartman
Pages: 467
Publisher: Random House
Series: Seraphina #1
Released: July 10th 2012

 











 

The Story

"Forty years," interrupted Eskar. "We've had forty years of peace...Only your elders remember the war, but it is not the old who join the Sons of St. Ogdo or riot in the streets. How can there be deep-seated distrust in people who've never been through the fires of war?" (p. 26)
In a world where dragons can take human form, the kingdom of Goredd and dragonkind have been at peace for forty years. As the anniversary of the treaty draws near, tension between humans and dragons mount after Prince Rufus is murdered--and all evidence points to the work of a dragon.

Seraphina, a gifted musician living at the court, joins forces with the captain of the guard Prince Lucian Kiggs to try to find Rufus's murderer and uncover the plot to destroy the peace. But Prince Lucian is a shrewd investigator and Seraphina has her own secret to hide...one that could put her life in danger.


Our Heroine: Seraphina

"I present: Seraphina," Orma said.
Undersecretary Eskar looked down her aquiline nose as if checking human features off a list. Two arms: check. Two legs: unconfirmed due to long houppelande. Two eyes, bovine brown: check. Hair the color of strong tea, escaping its plait: check...Furious or embarrassed redness upon cheeks: check." (p. 28-29)
We find out early on into the book that Seraphina is a half-dragon. She is smart, bold enough to speak up to the princess when need be, has a passion and talent for music, is uncomfortable in crowds of strangers, and though she can be 'prickly' she is kind towards others. Seraphina was a well-developed, interesting, and strong heroine, yet flawed at the same time. I loved her!

Seraphina has scales on her wrist and back that she hides and despises, and she feels like she is a monster. Throughout the story she has this internal struggle of trying to accept what she is and not be ashamed of it, and I really like the way this was developed.

There is one scene that was particularly heart-wrenching where Seraphina tries to pry off one of her scales, and my heart just went out to her. But at the same time I could relate.Who hasn't wished that they could change something physical about themselves? I loved the theme of self-acceptance in this book!

One thing I wasn't too crazy about was Seraphina's 'mental garden' where she keeps her 'grotesques' (strange looking people who appear in her visions). She has to tend to them every night to keep them content so they don't cause her to have visions and black out. It was just really weird to me, and had an Alice in Wonderland feel to it.

Also, I love the name Serapina, it's so cool! But throughout the book the author has the characters call her Phina. Why give your character such an awesome name and then not take advantage of it??


Main Characters


  • Orma
"Orma had a scholar's exception from the bell, so few people ever realized he was a dragon. He had his quirks, certainly: he never laughed; he had little comprehension of fashion, manners, or art; he had a taste for difficult mathematics and fabrics that didn't itch...To the rest of Goredd, he was just a man: tall, spare, bearded, and bespectacled." (p. 16)
Orma was such a fun, interesting character! There were lots of funny moments with him that helped to lighten the more serious mood of the story, and you can't help falling in love with him. Dragons don't feel/understand emotions or sarcasm, so a lot of things went over his head which lead to giggles. He was one of my favorites in this book :]

  • Prince Lucian Kiggs
"I'd glimpsed the bastard prince across halls at court. He had a reputatin as a shrew and dogged investigator; he worked all the time and was not as outgoing as his uncle Rufus had been. He was also not as handsome--no bear, alas--but seeing him up close, I realized that the intelligence of his gaze more than made up for that." (p. 21)
 I really really loved how the romance between Lucian and Seraphina developed. It was very slow and natural, and I felt everything that Seraphina felt. I swooned. I ached. I yearned. One of the things that I really appreciated was how Seraphina fell in love with him because of his personality, not his looks. No insta-love! Thank you Rachel Hartman!

In fact, we only get a few snippets describing Lucian's physical appearance, and the only time he is described as beautiful is on p. 176: "His enthusiasm made him beautiful." Now to me, that is a thousand times more romantic that a hundred descriptions of how perfect and gorgeous a guy looks!

However, I was annoyed that the author gave him as sexy a name as Lucian but then throughout the book had the characters call him Kiggs. Why??


The Setting: The Kingdom of Goredd

"My eyes flicked invoulentarily toward the dragon ambassador and the goodwill contingent from his embassy, seated behind the nobility but ahead of the common rabble. They were in their saarantrai--their human forms--but were immediately recognizable by the silver bells at their shoulders, the empty seats around them, and their disinclination to bow their heads during a prayer." (p. 8)

 Rachel Hartman has created a very interesting, vivid, and well-developed world. I was wholly convinced that Goredd was a real place.

I loved the idea of dragons being able to take human form, like in Sophie Jordan's Firelight series, but these dragons are very different. Dragons don't feel emotions except for when they are in their human forms. They don't understand emotions and think they are useless, and are forbidden from letting human emotions take over while in human form. If they are suspected of being too influence by their emotions--like falling in love--then they are taken to the Censors who erase their emotions and the memories attached to them.

At times Seraphina can be confusing to keep up with because names of things/places/people are sometimes thrown out without explaining what they are. Thankfully there is a glossary at the back of the book which I took full use of, though sometimes it was annoying to have to stop reading to flip to the back to get more information.

One thing I thought was silly was some of the exclamations of the characters: "St. Daan in a pan" and "Blue St. Prue".  Wasn't too crazy about those x]


To Read Or Not To Read? 

Overall, Seraphina was a very interesting, engrossing read! However, sometimes the plot did get a little complicated/confusing to follow, and it seemed to stray off at times. The description is also misleading because Seraphina and Lucian don't really investigate Rufus's death as much as they try to uncover the plot to destroy the treaty.

In fact, I realized hours after finishing the book that though we found out who was behind everything, Rufus's murder was never fully explained. Though the loose ends still tied up well, this really frustrated me for some reason, I suppose because I thought this was supposed to be the main storyline of the book.

If you are a fan of High Fantasy or dragons, you won't want to miss out on Seraphina! Looking forward to the sequel :]

Writing: 5/5
Characters: 5/5
Plot: 4/5
Creativity/Originality: 5/5
Kept me interested: 5/5






Thursday, September 6, 2012

Follow Friday: What Are You Reading Right Now?

Follow Friday is a meme hosted by Parajunkee and Alison Can Read.

This week's question is...

Q. What are you reading right now? What do you think of it?





A. I'm reading Seraphina by Rachel Hartman.

It's a High Fantasy about dragons who can take human form. The peace treaty between them is being threatened by the murder of one of the nobles which looks suspiciously like the work of a dragon.

I'm halfway through and have been enjoying it so far, though sometimes the pacing does get a little slow. But I shall reserve final judgement until the last page! At the moment I'm on the fence between 4 and 5 stars.




What are you reading? Tell me below, and if you are a new follower please let me know so I can follow you back :]

Happy reading!

Monday, September 3, 2012

Top Ten Books On My Fall TBR List (TTT 6)

 Top Ten Tuesday is a meme hosted by The Broke and the Bookish. This week's theme is...







Top Ten Books On My Fall TBR List

1. Stormdancer by Jay Kristoff
Release date: September 1st











2. Hidden by Sophie Jordan
Release date: September 11th











3. The Raven Boys by Maggie Stiefvater
Release date: September 18th









4. Wolf Pact by Melissa de la Cruz
Release date: September 25th











5. Velveteen by Daniel Marks
Release date: October 9th









6. Finale by Becca Fitzpatrick
Release date: October 23rd









7. Days of Blood and Starlight by Laini Taylor
Release date: November 6th









8. Greta and the Goblin King by Chloe Jacobs
Release date: November 13th









9. Undeadly by Michele Vail
Release date: November 20th









10. Dance of Shadows by Yelena Black
Release date: November 27th











*squee!* So many awesome books to look forward to this fall! :D What were your Top Ten?

Happy reading!


Write Right: Death to Italics!

Okay, okay, I know this post is a little late but it's a holiday weekend so bear with me!

Anywho...

This week I wanted to talk about something that has been bothering me. I've found an irritating little beast lurking in the pages of YA fiction. It looks innocent and unassuming to the casual reader, maybe even pretty or professional. But it is a wolf in sheep's clothing that will do more harm to your writing than good.

It's time to drag this creature out into the light and banish it from our writing. The name of the beast? Italics.


What's wrong with italics?

Everyone uses them! I see them in published books all the time! How will the reader know to emphasize the word if I don't put it in italics?

The writers doth protest! To a new writer, italics seem harmless and even helpful. I'll admit that when I first started out I used them myself. After all, other published authors used them so why shouldn't I? Didn't it make me look more professional and writer-ly? Eh, not so much.

Just because you see something in a published work doesn't necessarily mean that you should use it in your own writing. Don't get me wrong--you can learn a lot from studying the writing of other authors, but at the same time you can also pick up bad habits.The trick is discerning what is good technique and what should be avoided.

In short, the problem with italics is that not only are they unnecessary, but they make you look like an amateur.


Why You Should Forgo Italics

Allow me to explain what I mean when I say italics are unnecessary. The purpose of italics is to let the reader know that the word is to be stressed. Mary hated Gerald. Jane didn't think the bus would ever get there. There was no way she was getting in the car with him. etc, etc.

Italics pop up in prose, character's dialogue, and are used to mark character's thoughts and sometimes even flashbacks or dreams. But the problem is, when writers use italics, we are underestimating the intelligence of our readers.

I can't help but get annoyed when I read books where flashbacks or dreams are in italics. Not only is pages and pages of italics really irritating to read, but I feel that the writer thinks I'm too stupid to figure out it is a dream/flashback without her help, so thus the italics. Remember, readers are smart. They are capable of figuring out flashbacks/dreams without your help so resist the temptation.

Now, think about this: if this whole post was in italics, would that make you want to read it? Probably not. Italics in ones and twos are bad enough, but entire masses of italics is a nightmare for a reader. So don't annoy or scare off your readers--lose the italics!


Don't Tell the Reader How to Read

The other problem with italics, is that we are telling the reader how something should be read instead of leaving it up to them to add their own emphasis. Consider this:

Sarah turned her head away from him and closed her eyes against the tears. She clenched her fists tight. "I hate you."

or

Sarah turned her head away from him and closed her eyes against the tears. She clenched her fists tight. "I hate you."


Which do you prefer? Do you see how both give a slightly different feel? The problem with the first is that it's overkill, and the author is telling you how you should be hearing the dialogue. We can tell by Sarah's actions and words that she's angry and hates this person. Taking away the italics doesn't change the meaning, and nothing is lost.

Let the reader imagine the sound of the dialogue (and prose) the way she wants without you (the writer) telling her how it should sound! Chances are, her imagination will give it much more impact than any pithy italics.



Kill the Italics

Go through your current work in progress, find all of the italics, and get rid of them. Then, read back over it again. Is any meaning lost? Does it work better? The only time I use italics in my writing is when the sentence would lose its meaning without the emphasis. Other than that, I avoid italics like a dog avoids a bath.

By getting rid of italics not only will your readers thank you, but your writing will look more professional to potential publishers. Win-win right? So don't be afraid, go try slaying some italics for yourself :]

Happy writing!

Sunday, September 2, 2012

Review: Shadow and Bone by Leigh Bardugo


Title: Shadow and Bone 
Author: Leigh Bardugo
Pages: 358
Publisher: Henry Holt & Co.
Series: The Grisha #1
Released: June 5th, 2012

 *Note:* I'm trying out a new review format! Love it? Hate it? I would really really appreciate it if you would leave me some feedback in the comments if you read this review :]








I. The Story

"My great-great-great-grandfather was the Black Heretic, the Darkling who created the Shadow Fold. It was a mistake, an experiment born of his greed, maybe his evil...I've spent my life searching for a way to make things right. You're the first glimmer of hope I've had in a long time." (p. 81)
Alina Starkov and her best friend Mal were orphaned during the border wars. When they are drafted into the First Army, they are sent on a dangerous mission to cross the Shadow Fold, an unnatural darkness that divides the land of Ravka and is home to the man-eating volcra. During the crossing they are attacked, and Alina inadvertently saves them when in her desperation she discovers a power within her that had lain dormant. Alina is taken away to be trained as a Grisha, powerful magic-users who are led by the Darkling. The Darkling believes that Alina is the one person who can destroy the Shadow Fold.


II. Our Heroine: Alina Starkov

"Hey!" shouted the soldier. "Watch yourself!"
"Why don't you watch your fat feet?" I snapped, and took some satisfaction from the surprise that came over his broad face. People, particularly big men carrying big rifles, don't expect lip from a scrawny thing like me. They always look a bit dazed when they get it. (p.8)
Alina is a strong character with lots of internal struggles. As an orphan she has never felt that she belongs anywhere, except with her friend Mal. When she discovers she is a Grisha, she has to come to terms with her new power and figure out how to use it and where she fits into this new world. She was a great heroine with both strengths and weaknesses, virtues and flaws, and I really liked her! However I was annoyed by her poor self-image--what is up with all these YA heroines hating on their physical appearance? :P


III. Our Villain: The Shadow Fold (Or Unsea)

"Somewhere in the crowd, someone was singing. Singing? What idiot is singing on his way into the Fold? I glanced again at that smudge on the horizon and had to suppress a shudder...I looked down onto the ruined farms of the Tula...One day it was a place where farmers tended crops and sheep grazed in fields. The next, a dark slash had appeared on the landscape, a swath of nearly impenetrable darkness that grew with every passing year and crawled with horrors." (p. 9-10)
In Shadow and Bone the villain isn't a who so much as it is a what. The idea of the Shadow Fold was interesting, and definitely not a place I'd like to go! The author did a good job of creating tension/foreboding so that when the characters are in the Fold you are on the edge of your seat. I mean, its ever-present darkness filled with hundred upon hundreds of winged, man-eating monsters--that's at least a little creepy!


IV. Main Characters


  • Mal (Malyen Oretsev)
 "No fainting in the middle of the road." said a voice close to my ear as a heavy arm landed across my shoulders and gave me a squeeze. I looked up to see Mal's familiar face, a smile in his bright eyes as he fell into step beside me. (p. 10)
 Mal was an easy-going, sarcastic, likable guy, and an extremely talented tracker. I really liked the relationship between him and Alina, how as orphans they always stuck together. The romance took a little longer to grow on me, mostly because Mal isn't present during the middle part of the book so I didn't get to know his character as well as I would have liked, but by the end he won me over ;]


  • The Darkling
"I stared, torn between fear and fascination. He's too young, I thought. This Darkling had been commanding the the Grisha since before I was born, but the man seated above me on the dais didn't look much older than I did. He had a sharp, beautiful face, a shock of thick black hair, and clear gray eyes that glimmered like quartz. I knew that the more powerful Grishas were said to live long lives, and Darklings were the most powerful of them all. But I felt the wrongness of it and I remembered Eva's words: He's not natural. None of them are. (p.41)
I found the Darkling to be a very intriguing character. He was brooding, handsome, charming, and, well...dark. And it only adds to his mystery that no one knows his real name. I wasn't sure whether I should fear him or love him, and that combination made him even more attractive to me.


V. The Setting: The Little Palace in Ravka

"It was a strange name, because though it was smaller than the Grand Palace, the "Little" Palace was still huge. It rose from the trees surrounding it like something carved from an enchanted forest, a cluster of dark wood walls and golden domes. As we drew closer, I saw that every inch of it was covered in intricate carvings of birds and flowers, twisting vines, and magical beasts." (p. 86)
The world that Leigh Bardugo creates in Shadow and Bone (Ravka) is not only interesting and captivating, but it is full of details that makes it come alive. By the end of the book, I felt as though it was a real place. I especially loved the Russian feel to the book with the character's and places names, some of the dialect, the cold climate, and fur clothing.

The Grisha live in the Little Palace and are led by the Darkling. The whole order of the different types of Grisha was difficult to grasp at first and I wish it had been better explained what all they could do, but overall I thought the idea was very interesting. Basically there is the Order of the Living and the Dead (Corporalki), made up of Grisha whose power allows them to heal or kill. Then there is the Order of Summoners (Etherealki), who can summon elements such as wind, water, and fire. Lastly, there is the Order of Fabrikators (Materialki), who use their powers to create things. Each Grisha wears a different colored robe called a kefta depending on what they can do.


VI. To Read Or Not To Read? 

Shadow and Bone is a little confusing at first, but it sucks you right in. I'll be honest, at first I was a little uncertain because I didn't think the book was living up to all of the hype. But in the second half it really delivers! That's all I'll say about that ;] I loved the interesting world Leigh Bardugo created, and I can't wait to visit it again in the sequel, Seige and Storm!

Writing: 4/5
Characters: 4/5
Plot: 5/5
Creativity/Originality: 4/5
Kept me interested: 5/5







Saturday, September 1, 2012

September Releases! What Are You Dying to Read This Month?

Time To Hit the Books!

School is starting, the weather is getting cooler, and some really awesome books are on their way to bookstore shelves this month! September is looking to be a great month for readers, with lots of lovely, highly anticipated reads ahead. So forget about the textbooks and check these out!

My most-anticipated September releases:


The Raven Boys by Maggie Stiefvater
Released: September 18th





Hidden (Firelight #3) by Sophie Jordan
Released: September 11th









Cursed by Jennifer Armentrout
Released: September 18th









Stormdancer by Jay Kristoff
Released: September 1st









 

Outpost (Razorland #2) by Ann Aguirre
Released: September 4th








 

Shadowfell by Juliet Marillier
Released: September 11th










The Crown of Embers (Fire and Thorns #2) by Rae Carson
Released: September 18th










Origin by Jessica Khoury
Released: September 4th









Alice in Zombieland by Gena Showalter
Released: September 25th











Looks like I'm going to have to splurge on some books this month! Which upcoming releases are you eager to get your hands on?


Happy reading!



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